It's that time of year again:
2019 Art Access 300 Plates Fundraiser
Above: "Guardian"
Above: "Tell me..."
2018 - did not participate
2017
2016
2015
2014
2013
What is 300 Plates?
300 Plates is the annual Art Access fundraiser and exhibition. Now in its 17th year, this signature event presents unique artwork that is both affordable and highly collectible, created by approximately 100 established and emerging artists from the local community. Using 11 x 10 inch plates (either aluminum, tempered panel or plexiglas), each artist prepares small works in their recognizable style. Finished plates include everything from landscape to assemblage to pop art to photographic emulsion and more. During the fundraiser and month-long exhibition the plates are hung in the Art Access Gallery, creating a kaleidoscope of one-of-a-kind artwork. This year a small selection of plates from previous years will also be on sale.History of 300 Plates
by Joe Ostraff
The story of the 300 Plates Fundraiser begins in Thailand in the summer of 1993. My family and I were the invited guests of a family living in Cha-am, Thailand. As part of our weekly activities, we would visit one of the many Buddhist Wat (monasteries) found in almost every community. On one such visit, a monk approached me and gave me a packet of photos of King Rama V. He blessed me and promised that if I incorporated the images in my art I would bring about good fortune. I held on to the images for many years, waiting for an appropriate time to use them.
In fall of 1998, I was driving home from a field trip with BYU art students. John Ohran was among the group. He and I got into a discussion about art ideas and he shared his interest in a project that Ed Kienholz (an internationally acclaimed installation artist) had completed, numbering prints one through one thousand and selling them for the corresponding number. It seemed to me a critical statement on the commodification of art, and John and I wondered if we could give the idea a positive twist.
During the conversation, I mentioned my Thai experience and one thing lead to another. Hence, John and I had a two-person exhibition at Art Access in 1999 entitled Restoration of Good Fortune: One Through Three Hundred and Fifty, with the prices matching the numbered art. Images of King Rama V as king, military leader, and father found their way into all the mixed media paintings on aluminum plates, and the sale proceeds were divided between Art Access and the Sudanese Refugee Fund.
In 2002, Art Access was looking to diversify its funding base since the majority of the organization's funds came from a single source. I was a board member at the time and suggested that we try a fundraiser using progressive pricing, and that we invite multiple artists to participate. It was very successful, and I feel that the Thai monk's blessing continues to be realized each year through the 300 Plates fundraiser.
