The end of May I drove to the San Francisco Bay Area for a two-day workshop in basic beginning encaustic painting taught by Hylla Evans at Kala Art Institute in Berkeley, California w.kala.org/mission.html . I thoroughly enjoyed the workshop---it was precisely what I had hoped it would be to get me started painting in encaustic, and eliminating my fear of the torch as a fusing device. Hylla provided needed information on safety, materials, techniques and stressed
Last Friday morning (July 31) I saw a post on the SLC craigslist in the "artists" section for a two-day workshop for Encaustics for Textile and Fiber artists starting the next day (August 1). Daniella Woolf conducted the workshop at Spiro Arts in Park City http://www.spiroarts.org/ . I managed to sign up to take Saturday's session, in spite of short notice. As close as Park City is to Salt Lake City, I had never heard of Spiro. It's a great little facility housed in a restored old building over a silver mine. There is 2200 square feet of studio work space and Spiro offers art workshops and residencies as well as a space for lecture series through the U. of Utah. I felt a
bit out of my element as a painter, using fabric, but learned more techniques of working in other materials with encaustic. It was fun meeting Daniella (who lives in Santa Cruz, CA and Whidbey Island, WA). http://www.daniellawoolf.com/ and http://encausticopolis.blogspot.com/ She introduced me to Jeff Juhlin from Salt Lake City who is an artist working beautifully in encaustic, as well. I had a great visit with Jeff in his studio this afternoon and came back with lots of notes on studio set up and materials and where to get them.

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