Tuesday, March 19, 2013

Blanket from Old Cashmere Sweaters - Part II

Photo:  Toni Youngblood
I left off with my cashmere sweater throw project here, with cut pieces of sweaters numbered according to sequence in the design layout.  See the photo below:

Photo:  Toni Youngblood

Photo:  Toni Youngblood
Above:  This is the completed throw.  The pucker effect was not planned and occurred partially due to differential shrinkage between different sweaters.  It was a bit of a surprise particularly because the three sweaters, black, grey and taupe making up the basic design were all purchased originally from the same manufacturer and were the exact design as one another.

Photo:  Land of Sparkle
Above:  Some examples of cashmere sweater throws I found on the Internet have actually exploited this puckering tendency, as shown in the throw from Etsy Shop, Land of Sparkle.

Photo:  Toni Youngblood
Above:  The throw I made has definite front and back sides; the seams showing only on the backside.  I did, however also find examples of throws which expressed the open seams as a feature.  Other throws I saw in my Internet research added a backing material to the throw to hide the seams and/or provide an additional layer.  I can see that putting a backing of soft fabric on a throw made of 100% wool sweaters will make it more comfortable against the skin.

Photo:  Toni Youngblood
I decided to add pom poms to my throw similar to those which are found on Moroccan blankets.  Such as shown in the photo belowI made the pom poms using yarn in the colors of the sweaters and alternated placement of the colored pom poms per the sweater strips. 

Photo Above via Remodelista

 Photo Above via Remodelista

Photo:  Toni Youngblood
I discovered there are many ways to make a throw out of cashmere or wool sweaters.  Cashmere does not shrink as much as wool does and therefore, cashmere does not "felt" as tightly as a 100% wool sweater will.  But I love the soft luxurious feel of cashmere in the use of the throw as I did when I wore these sweaters.

Sunday, March 17, 2013

300 Plates

Above:  Luck-O-The Draw, Toni Youngblood, 2013, Encaustic on panel, 11"x10"

Above:  Aromapoetry, Toni Youngblood, 2013, Encaustic on panel, 11"x10"

Shown above are two encaustics I painted for 300 Plates.  The explanation of 300 Plates follows... 

300 Plates Fundraiser & Exhibition

Fundraiser & Exhibition: Thursday, May 16, 6pm-9pm

Our Annual 300 Plates Fundraiser and Exhibition will be held Thursday, May 16, 2013 from 6 - 9 PM. A preview of the plates will be available May 13 and 14, 10 AM - 6 PM; and May 15 and 16, 10 AM - 5 PM.
Ticket Price: $50 (available end of April)

Call For Artists

Art Access is seeking artists for our 11th Annual 300 Plates Fundraiser and Exhibit, to be held May 16, 2013. Approximately 125 artists will be chosen to participate.
If you are interested in being considered for the upcoming 300 Plates show, please send an email – which includes your phone number -- to executive director Sheryl Gillilan ( sheryl@accessart.org) by January 31st, 2013. If you are a new artist to this event, please include a link to your website or 4-6 images of your work. We will confirm that we have received your email and will make all acceptance notifications no later than February 8, 2013.
Blank plates will be available for pickup by February 8th. If you want your finished plates to be considered for publicity purposes, the deadline for return is Friday, March 22, 2013. All other finished plates are due by May 1, 2013.
Participating artists will receive:
• 30% of the sales price of each plate
• 1 free ticket to attend the event
• 1 opportunity to buy a second ticket at ½ price
• Publicity associated with the event
• A listing of professional information in the 300 Plates Artist program
• Satisfaction in helping to carry out the mission of Art Access!

What is 300 Plates?

300 Plates is the annual Art Access fundraiser and exhibition. Now in its 11th year, this signature event presents unique artwork that is both affordable and highly collectible, created by approximately 100 established and emerging artists from the local community. Using 11 x 10 inch plates (either aluminum, tempered panel or plexiglas), each artist prepares small works in their recognizable style. Finished plates include everything from landscape to assemblage to pop art to photographic emulsion and more. During the fundraiser and month-long exhibition the plates are hung in the Art Access Gallery, creating a kaleidoscope of one-of-a-kind artwork. This year a small selection of plates from previous years will also be on sale.

History of 300 Plates

by Joe Ostraff
The story of the 300 Plates Fundraiser begins in Thailand in the summer of 1993. My family and I were the invited guests of a family living in Cha-am, Thailand. As part of our weekly activities, we would visit one of the many Buddhist Wat (monasteries) found in almost every community. On one such visit, a monk approached me and gave me a packet of photos of King Rama V. He blessed me and promised that if I incorporated the images in my art I would bring about good fortune. I held on to the images for many years, waiting for an appropriate time to use them.
In fall of 1998, I was driving home from a field trip with BYU art students. John Ohran was among the group. He and I got into a discussion about art ideas and he shared his interest in a project that Ed Kienholz (an internationally acclaimed installation artist) had completed, numbering prints one through one thousand and selling them for the corresponding number. It seemed to me a critical statement on the commodification of art, and John and I wondered if we could give the idea a positive twist.
During the conversation, I mentioned my Thai experience and one thing lead to another. Hence, John and I had a two-person exhibition at Art Access in 1999 entitled Restoration of Good Fortune: One Through Three Hundred and Fifty, with the prices matching the numbered art. Images of King Rama V as king, military leader, and father found their way into all the mixed media paintings on aluminum plates, and the sale proceeds were divided between Art Access and the Sudanese Refugee Fund.
In 2002, Art Access was looking to diversify its funding base since the majority of the organization's funds came from a single source. I was a board member at the time and suggested that we try a fundraiser using progressive pricing, and that we invite multiple artists to participate. It was very successful, and I feel that the Thai monk's blessing continues to be realized each year through the 300 Plates fundraiser.

How can you participate?

Plate previews are held during the week prior to the event to provide art lovers and potential buyers with a sneak peak of the artwork. On the evening of the event during the preview hours, culinary delights, beverages and music are enjoyed in the outdoor tent, and each patron is issued one colored wristband in anticipation of the sale. Beginning at 7:00, and every few minutes thereafter, a random color is announced until all wristband colors have been called. Those patrons are invited to enter the gallery and purchase one plate each. Plate prices start at $75 and increase sequentially in one-dollar increments. This year, approximately 20 plates will be set aside for a blind silent auction, selling from $300 – the sky's the limit. Also, for the the first time, for a $5 donation, attendees will have the opportunity to obtain tickets for a drawing for three framed plates. Plates that do not sell on the night of the event may be purchased at Art Access during regular business hours throughout the exhibition.

Who benefits?

Art Access provides accessible and inclusive arts and cultural opportunities to many people who might not otherwise have the opportunity to participate, as well as equal opportunity for established and emerging artists with and without disabilities in a nurturing and supportive environment. Funds from the annual 300 Plates fundraiser and exhibition allow Art Access to offer programming throughout the year, including: education and engagement with art to special needs children and others in Utah schools; the elderly and other institutionalized individuals or those participating in community social services programs; teens with disabilities, those who are at-risk or are otherwise underserved, and young people in the mainstream; youth and adults living in rural areas of the state; emerging and established artists with and without disabilities; and the community at large. Over the years Art Access has demonstrated that its philosophy and programs are successful in uniting and strengthening the community through art.

Participating 2013 Artists TBA

Thursday, March 14, 2013

Wednesday, March 13, 2013

Napping in the Studio

I have some hot irons in the fire at the moment, so I have to delegate the napping task to my furry-four-legged studio mate.

Tuesday, March 12, 2013

Letting Go of Winter

Upon seeing the photograph above, I let out a huge sigh.   I saw it this morning on The House of Turquoise blog:
Located on the coast of Uruguay, this unique beach home was designed by Argentinian architect Martín Gómez and photographed by Daniela Mac Adden.

Friday, March 8, 2013

Loving a Weekend...

Above:  Pisces Girl (Self-Portrait), Toni Youngblood, 2013, 12"x16", Watercolor on cold press Arches paper

I'm delivering this painting Saturday to Michael Berry Gallery for the Utah Watercolor Society 2013 Two-Star and Signature Member Exhibit:
Breaking Though - Something New

The show runs from March 15th Through April 12th.
Opening Reception will be during Gallery Stroll March 15th from 6PM - 9PM
Michael Berry Gallery
163 E. 300 S.
Salt Lake City, UT  84111
Gallery Hours:  Tues - Sat 11AM - 6PM

Thursday, March 7, 2013

Custom Sax Neck Pouch: Ready to Ship

I'm pleased to have received this order from a very fine musician who has played and recorded with many of today's greats.

 This pouch is made for a tenor saxophone neck with the mouthpiece attached.


Dear Walter, Thank you and may the embouchure be with you! 

See Custom Saxophone Neck Pouch choices here.

Wednesday, March 6, 2013

Fornasetti Cradle

Piero Fornasetti - master of  technically proficient and whimsical designs.  See more here.

Artist's Portraits of Artists

Above:   Jamie Wyeth's Portrait of Andy Warhol 
Completion Date: 1976

Above:   Andy Warhol's Portrait Jamie Wyeth
Completion Date: 1976

Monday, March 4, 2013

Saxophone Neck Pouch: Fabric Selection

Take a look at the new fabric selection for pouches I make for saxophone necks.  These are for you or your musician friends and loved ones who want an artfully secure method of storing theirs.  Click here.  Or Click on the tab at the top of this website:  Saxophone Neck Pouches.



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